Jewish Art Inside The St. Louis Art Museum: Daniel Interpreting to Balshazzar

Jewish+Art+Inside+The+St.+Louis+Art+Museum%3A+Daniel+Interpreting+to+Balshazzar

Jordan Palmer and Dale Sharon

The St. Louis Art Museum attracts art lovers from around the country.  But, did you know that this treasure located at the top of Art Hill in Forest Park houses a truly impressive collection of Jewish art in many forms. Jewish Art Inside the St. Louis Art Museum is a collaboration between the Jewish Light and Dale Sharon, a 25 year docent at the St. Louis Art Museum, a SLAM Board of Trustees member, and an exhibited artist. Dale simply loves art, and through her passion, we hope to learn more about the amazing Jewish connection at the St. Louis Art Museum.


What is Jewish Art

Like any definition of art, the possible answers to this question are infinite, but for our purposes here in focusing on the SLAM collection, we are focusing on:

  • Jewish artists.
  • Jewish ceremonial art, also known as Judaica.
  • Art in which the subject matter is the Hebrew Scriptures.
  • Art depicting Jewish subjects.
  • Judaism found in history.
  • Jewish donors to the museum’s collection.

The Story Of “Daniel Interpreting to Belshazzar the Handwriting on the Wall”

This oil on canvas was pained in 1775  by Benjamin West. West is regarded as the “father of American painting” as he was one of the most influential artists of the pre-Revolutionary War era.

This work is tells the biblical story of Balshazar, a 6th C  BC Babylonian ruler. The Temple in Jerusalem had been looted and the Babylonians were out of control, drinking out of holy vessels at a banquet. Mysterious handwriting appears on the wall. Balthazar’s advisors try to understand the handwriting, but to no avail. So Balshazar asks the prophet Daniel to interpret it. Daniel had been captured by Nebuchadnezzar in Babylonia and held at court as a prophet who could talk to God.

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Daniel stands in the center of a hall, in front of a table laden with dishes, pointing with his right hand to flaming characters on the wall on the left. Belshazzar sits on the right, horrified, surrounded by guests, with wise men on the left holding scrolls, having vainly attempted to interpret the writing.

Daniel says that the 4 characters on the wall prophesize that because Balthazar has not given honor to God, his kingdom will be given to the Medes and Persians.

“What’s interesting here is that this grand narrative is an allegory, a moral and yet very  political message.” said Dale Sharon. “The year was 1776 and West lived in England and relied on the favor of George III. He really didn’t want American independence.”

This, then, is a veiled warning to the King to compromise with the citizens of America. “Read the writing on the wall and just get along,” said West, through his work.

West supported conciliation. He claimed that there would be an ominous note, if King George, like Balshazar, didn’t change. This is where his head was in 1776, trying to straddle both worlds and still maintain his position with the King.  It may have been a “quiet message to George III to get his act together.” Of course, the king never did aim for a peaceful way to make nice with those angry American colonialists.

 

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