(JTA) – In a 2022 documentary on the making of the 1971 film “Fiddler on the Roof,” Norman Jewison relayed a by-now familiar anecdote: When producers of the Broadway musical approached him for the directing job, he had to sheepishly inform them that he wasn’t actually Jewish.

He got the job anyway, leading generations of Jewish families watching “Fiddler” to associate that big title card displaying the “Jewison” name with a fellow member of the tribe.

Bringing Anatevka to vivid, pulsating life was one of many career highlights for the Canadian filmmaker, who died Saturday at age 97. Jewison, a Toronto native, helmed several other iconic films in his long, distinguished career, including “Moonstruck,” “In The Heat of the Night,” “The Thomas Crown Affair” and “The Hurricane” — many of them shining light on pressing social matters like racism and other forms of bigotry. He was nominated for seven Oscars, two of them for “Fiddler” (best picture and best director). He directed a lot of musicals, including “Jesus Christ Superstar,” and returned to Jewish concerns for his swan song, the 2003 thriller “The Statement,” which takes place during the Holocaust.

But his work on “Fiddler” sealed Jewison’s reputation among Jewish viewers. He earned the job on the basis of his work on the Cold War satire “The Russians Are Coming, The Russians Are Coming,” starring Carl Reiner and Alan Arkin, with producers reasoning that the director had what it took to convincingly depict Russian life to Westerners. 

Holding the reins to Jerry Bock, Sheldon Harnick and Joseph Stein’s Broadway smash adaptation of Sholem Aleichem’s classic folktales, Jewison went all-in on verisimilitude. He filmed “Fiddler” in the former Yugoslavia and got Israeli actor Chaim Topol, who starred as Tevye in the West End production, to reprise his role on screen (not without some controversy over bypassing better-known Broadway star Zero Mostel).

At three hours in length, with elaborate musical set pieces and additional scoring by John Williams, “Fiddler” was a classic Hollywood roadshow production that also was be a bittersweet depiction of a Jewish world wiped out by pogroms and the Holocaust — a formula not necessarily guaranteed to hook a general audience. But the gambit paid off, and “Fiddler” became the highest-grossing film of the year and a perennial staple in the homes of Ashkenazi Jews and others.

Jewison joins other beloved figures from “Fiddler” who have recently taken their final bows. Topol died last year, as did the lyricist Harnick. 

Over the years Jewison would deny rumors that he had considered converting to Judaism. But he took his connection to the Jewish story seriously. In that same 2022 documentary, he also shared that he had a Jewish wedding in 2010, to his second wife Lynne St. David Jewison. The wedding included a rabbi and a chuppah.

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