Looking back on Nazi era in newly reissued novels from 1930s
Published July 14, 2021
There is no shortage of fiction set in the Nazi era being written today, and most serious attempts sit atop an enormous amount of historical research. This is in stark contrast to two novels written in the late 1930s and given new life by major U.S. publishers this year.
These are works that did not emerge from excavating the past, but which sprang from the urgency of their moment as history was unfolding.
“The Passenger” was written in the aftermath of Kristallnacht by Berlin native Ulrich Alexander Boschwitz when he was in his early 20s.
The novel follows Otto Silbermann, a successful Jewish Berlin businessman and World War I combat veteran whose commitment to his country has prevented him from leaving, even as his son has found safe harbor in England. However, it is now late 1938, and Silbermann’s world is collapsing quickly. With the forced Aryanization of Jewish businesses, he is now dependent on the goodwill of non-Jewish friends and associates, only to find that they view his bad luck as an opportunity from which to benefit themselves.
When Nazis come to the door of his apartment, Silbermann has little option but to escape through a back door. Unwanted or unsafe in hotels, he finds himself unexpectedly on the run and living largely on trains. He realizes “the fact is that I have already emigrated … to the Deutsche Reichsbahn. I am no longer in Germany. I am in trains that run through Germany.”
As he travels throughout the country scheming for money and freedom with increasing desperation, the time he spends in passenger compartments offers him the opportunity to take an inventory of attitudes toward Nazism and Jews among his compatriots. Most hold their party membership as a badge of honor.
Boschwitz does not idealize Silbermann. While he is admirable in not losing his moral sensibilities as the world around him has abandoned such niceties, he is also a fussy product of his social class. And he is stymied by his own stubborn belief in his country and what should be his rightful standing in it. He comes to understand his status more accurately only after it has evaporated: “I had a wonderful life … I was rooted … No, I wasn’t rooted. I only imagined I was.”
Silbermann is able to travel with relative ease because he does not appear recognizably Jewish. And one of the book’s psychological insights emerges through Silbermann’s growing aversion to encountering fellow Jews, as they now present a risk to him. Running into an old friend, he notes that “I, too, was afraid of his Jewish nose.”
When I saw that Boschwitz died in 1942, I assumed that he had been killed in the Holocaust. His fate was more complicated. He was born to a Protestant mother and a Jewish father who had converted to Christianity, but who died shortly before Ulrich’s birth. Boschwitz, who was still a Jew by Nazi standards, and his mother were able to leave Germany in 1935, eventually settling in England.
He published a version of “The Passenger” there in 1939. However, with the onset of World War II, he, along with many refugees from Nazi Germany, were classified as “unfriendly aliens.” He was shipped off to camps, first on the Isle of Man and then in Australia. Upon being reclassified as “friendly,” he was returned to England on a passenger ship that was torpedoed by the German Navy. He died along with 361 other passengers.
Kathrine Kressmann Taylor’s “Address Unknown” is a book I had heard of but never encountered. The short work was originally published in 1938 in the magazine “Story,” where it was credited simply to Kressmann Taylor — apparently, the magazine’s editor and Taylor’s husband felt that the piece was “too strong to appear under the name of a woman.”
It was soon published as a book by Simon and Schuster (still under the pseudonym) to great success, but has spent most of the ensuing decades out of print. It has been reissued this summer by Ecco.
Born in Oregon, Taylor (who was not Jewish) wrote the book while living in San Francisco. She did so in response to witnessing good friends of hers in the United States return to their native Germany and transform into committed Nazis.
The 96-page novella consists entirely of letters sent between Martin Schulse and Max Eisenstein, partners in a San Francisco art gallery, after Martin returns to Germany in the early 1930s. Over the course of their correspondence, which begins with great mutual affection, we witness Martin’s emerging adoption of Nazism, along with the corresponding unhappiness voiced by Max, who is Jewish.
Max’s alarm is heightened by concern about the welfare of his Viennese sister (with whom Martin had once engaged in an affair), who is attempting to pursue a career as an actress in Berlin. And I will stop here, as it would be unfair of me to reveal more of the plot of this satisfying, but very short book, other than to say that Taylor used the letter-writing device brilliantly.
Both of these books are timely, given the current rise of antisemitism and an increase in racist violence, particularly directed against Asian Americans. And what I find especially resonant in both books is their focus on relationships as a barometer of societal dysfunction. These portraits of how opportunism, ideological devotion and bigotry can trump friendships and interpersonal loyalties are all too real, and they are warnings to heed.
“The Passenger” by Ulrich Alexander Boschwitz (288 pages, Metropolitan Books)
“Address Unknown” by Kathrine Kressmann Taylor (96 pages, Ecco)
A hot time for all at Viva Salsa
Here’s a party that traditionally sells out, so be forewarned and make your reservation ASAP. It’s the J Associates annual major fundraiser which this year is “Viva Salsa”, “…an evening of the romantic world of Salsa where the music pulsates, the atmosphere simmers, the colors are vivid, the mood is alive and the ambiance is…
JFed 2007 Campaign Sets Historic Record
The 2007 Jewish Federation Campaign raised a total of $11.03 million, setting a new all-time record in the 107-year history of the communitywide fundraising organization. Overall fundraising, including endowments and other gifts totaled an impressive $26.3 million. The Annual Campaign fell just short of its goal of $11.15 million, but this fact does not diminish…
SSDS ‘Main Event’ to feature improv
Improv comedy will be one highlight of the annual “Main Event” fundraiser held by the Solomon Schechter Day School, which honors school supporters, and raises money for the school’s scholarship fund. The event takes place at Congregation B’nai Amoona on Sunday, March 2, beginning at 6 p.m. This year, the Main Event’s organizers say attendees…
EVENTS HMLC to show documentary on Bosnian genocide
The Holocaust Museum and Learning Center’s monthly film series will present Hague Tribunal and Crimes in Bosnia and Herzegovina–Prijedor Conference on Sunday, Feb. 24, at 2 p.m. in the Holocaust Museum and Learning Center theater, in the Jewish Federation Kopolow Building. This powerful documentary records the proceedings from the International Criminal Tribunal for the Former…
‘Light’ showcases mitzvah projects
This week the St. Louis Jewish Light introduces an ongoing feature, “Mitzvot from the heart,” a page highlighting the mitzvah projects being done by our community’s young adults preparing for their bar and bat mitzvah. Milton Movitz, president of the Jewish Light’s board of trustees, said the new feature is meant to showcase the good…